Friday Wants

Friday, the day when your thoughts to the things you can do on the weekend, and the things that’ll help you do ‘em.

1] Scosche reVOLT c2.

Been looking at these types of chargers for a while, for the car, but this appears to be the one that’s worth the money. Twenty bucks, and it’ll charge two tablets simultaneously off the 12v socket.

2] Friday afternoon hammer

Yo Dawg. We put an opener on your hammer, so you can get hammered while you hammer.

Ok, that sucked. BUt I totally want that hammer! And eleven bucks? Perfect!

3] TurboXS Exhaust

Why do I search local used/for sale for my own car? Because I’m an idiot. This TurboXS exhaust isn’t my primary choice, but at $700obo (local/used), it’s a wicked affordable option, on great exhaust. I’d planned on quad-tips, rather than two giant cans, but I’ve seen this on the coupe, and it looks and sounds great.

All I Want To Do Is Buy Music

I’m actually not kidding. I’ve spent thirty-five minutes this morning, on my phone and desktop, trying to find a method to PROVIDE LEGAL TENDER IN EXCHANGE FOR MUSIC. With the Caveat that a] it’s not iTunes, because iTunes is a pain in the ass to deal with and b] I can do it via mobile. Oh, and c] DRM free. I bought them. They’re mine. Oh, and finally? d] Willing to sell me music in Canada.

Now, I don’t think these are unreasonable requests.

I still don’t have a solution.

That is completely ridiculous. It should not EVER be this difficult to pay money for something.

I realize that the first response will be “Well, just use iTunes”. The problem with that, of course is, I don’t use an iPhone. Which means, b] is right out (no mobile app for anything except iOS). Also, iTunes is a royal pain in the ass to deal with: Every time I move a hard drive around, or change something significant in Windows, I ‘lose’ tracks. I always manage to find them again, but I shouldn’t have to spend the time like that. Even on Windows, the program is bloated, and it forces ‘upgrades’ (Read: Installations) of software I don’t want (Safari is the primary offender, but Quicktime as well). I run android, there’s no properly viable iTunes app for mobile.

So, iTunes continues to be out.

I’ve bought a bunch of albums through HMV Canada’s music store. There’s a couple of problems there. First, the mobile ‘app’ simply opens the mobile website in a browser. I can actually live with that: it’s not a particularly good design, but I’d hope that that’ll eventually change. What I can’t live with is the mobile sites inability to give me the page I’m choosing. Seriously. There’s TWO HUNDRED AND TWENTY PAGES of new releases, and if I press the “next page” button… I get the first page, over, and over, and over. Unless you know exactly what you’re looking for, it’s useless. On top of that, once you buy an album, I’ve had multiple occasions where when you download the track to your phone, it quits part way through the download. Again, that would be fine, except for the ‘on site’ DRM: Specifically, you can only download any given track five times. What this means is, I had to spend nearly two weeks talking to tech support at HMV (they have two twitter accounts @hmvcanada and @hmvdigitalca) and are reasonably active, but generally just refer you to the support/customer service email address, where turn around on a response is anywhere from twenty-four to seventy-two hours). After a week, and I did give it a week, in good faith, I simply hit a torrent site and downloaded what I’d paid for, but still hadn’t been allowed to listen to. To give them their credit, they did eventually get me sorted out, but the app is obviously unfinshed and unstable, and the mobile website is epically unprofessional, inefficient, and unfinished.

AmazonMP3 is not available to Canadians, so, THAT’S out.

Android Musicstore isn’t available to Canadians, either.

As a result of this particular rant, I’ve also found 7Digital. I’ve not tried it yet, however. According to wikipedia, however, they do DRM free, sell to Canada, have a mobile app, and aren’t iTunes (they’re partially HMV-owned). I’ve just installed the app, and on the surface, it actually looks pretty good. It’ll sync to my PC and tablet too, without charging me the dreaded “multiple device fee”. I’m hoping this is “the one”.

Look, I know I’m not by any means the only person who’s frustrated by the way the industry works, and by the way they’re determined to defend an outdated business model (until it’s pried from their cold, dead, corporate fingers). New is scary, that’s fine. But the whole internet thing isn’t new anymore. You guys should have been on this twenty years ago, instead of pretending it wasn’t happening. You actually make it difficult (incredibly, unbelievably difficult) to do the thing you want us to do: PAY FOR MUSIC. A vast majority of us want to support the artists. But you, the companies who bitch and complain so much that all people do is steal music, force those people to do the same things. If I can buy the CD in a store in Canada, I should be able to buy that albume or song from any service I want, for a realistic price, considering that distribution and phsyical storage and storefront costs plummet. In other words, I’m not paying the same or more for a degraded digital copy as I would for a physical CD in a case. We’re officially past that. Get over it. Make your online shit work properly, quickly, and stop assuming that if I pay my $0.99 for a song, I’m immediately putting it out there for everyone. All your DRM shit does is make it difficult for people who are already on your side. And if you make it difficult, we’ll continue to find other options.

Oh, and while we’re at it, start actually paying the artists. If your argument is going to continue to be “stealing music hurts the artist” they should be seeing more than nine cents on every dollar I spend, or 12% of the 70% the label recieves. And you have the nerve to call US criminals? I think you’ve all forgotten who actually makes the product you’re selling. You don’t have a product if they don’t get paid, remember?

That’s a rant for another day, though. Today`s is ‘Why is it so fucking difficult to buy legitimate music?’ And I’m still looking for the answer. Anyone got any ideas?

Toyota Fielder, Or “Where’s My Damn Wagon?”

I saw a car Friday morning, a car I didn’t recognize, with a badge on it I didn’t recognize either.

The Toyota Corolla Fielder. Couldn’t tell what it was until I checked the badge on the back. It’s not sold in North America. They sell like gangbusters in every single other market though. Once again, no wagons for North America. No, we have to buy SUV’s.

When I saw it at the Esso on Bank street, I had to circle it twice. Even in ‘base’ trim, it’s a pretty good looking wagon. But, then I had to find out what it really was: it’d obviously been imported, definitely a 2010 or 2011, so, what, WAS a “Fielder”.

Well, it’s the Toyota Corolla wagon we don’t get. And there’s a ton of models for it. The most interesting is the TRD Turbo, of course.

Now, that’s a great lookin’ little wagon. I’d buy that, even if it IS wrong-wheel-drive. That’s pretty hot.

158hp, 165lb.ft of torque isn’t a lot. But the Corolla/Fielder, the good one, not the fat one we get, only weighs in at 2500lbs. So, it’s not FAST, but with the other go-go bits, it’s gotta be fun to drive.

And why don’t we get it? It, and every other wagon on the market, with a couple of exceptions?

Because North American market has been determined to not want to buy wagons. Instead, we get SUV’s, CUV’s and compact-utes that get shitty mileage, look like the same damn box on stilts, and less space inside, for more money.

That fun-to-drive wagon up there? That gets the kind of fuel economy you’d expect of a Corolla.

What else aren’t we getting?

Well, the Chevy Cruise Wagon for one. And again, for around $20-$25,000cdn, that’s a hell of a deal. “Not for the North American Market”. The Hyundai Elantra GT/Touring is apparently, cool as it’ll look, turning from a traditional wagon to a standard 5-door hatchback (and there is a difference). There’s rumours we might get the Hyundai i40, aka Sonata wagon. THe Mazda 6 wagon is gone from North American shores, and with it, I would assume, any chance of a Ford Fusion wagon (aka, Mondeo estate).

The only ones we do get are the VW Passat Wagon, the VW Golf Wagon and the Touring. After that, you’ve gotta go over sixty grand for BMW and Mercedes. Even the Dodge Magnum, a lackluster vehicle at best, has died an untimely death. You can’t even buy a damn Legacy wagon anymore, you have to buy an Outback SUV. What we need is the Legacy Spec-B wagon.

Look, I don’t want an SUV. There’s some good ones out there, for sure. They’ve come a long, long way in the past years, and some of ‘em are even fun to drive. But what I really want is a wagon: a car, that handles like a car, and gets the fuel economy of of a car. I want a sports sedan with a briefcase out back. I want the mullet of the carworld. The station wagon, or estate, or touring. Business up front, and party out back.

Someone, sell me a wagon. Rear wheel drive? By preference. All-wheel drive if I can. Front wheel drive if I must. But someone. Sell. Me. A. Wagon.

Because I can’t get a 55″ TV in my Genesis Coupe.

MovieCarPosters

These are, in a word, brilliant: MovieCarPosters.

For the first time in a long time, I really want to get four or five of these, and have them properly framed, for my current (or eventual) basement grotto.

Yes, grotto.

Specifically, I need:

  • The Bluesmobile
  • Delorean Time Machine
  • Jack Burton Express
  • Ectomobile
  • Dirftu Kingu

    Actually, cool as it is, scratch that last one. Corben’s Taxi is WAY cooler!

    Maybe Plymouth Fury, Eagle 5, and Cussack Camaro

    And, for the supernerdlingers among you, you may want to look at Olton Hall and Serenity.

    I think I can name 90% of the movies for these posters, too.

    So many choices, and they’re ALL awesome!!

  • The First Car.

    I dunno about the rest of you, but I remember my first car. And there’s a huge difference between “the first car you drive regularly” and the first car that you buy, maintain, and insure for yourself.

    The former was my mom’s 1988 Ford Tempo, which, when she bought her ’92 Camry, fell to my brother and I. As my brother didn’t have a license yet, it was basically mine. But it wasn’t REALLY mine. The folks could take it away as punishment, they could cancel the insurance, their name was on the registration, they could sell it if they wanted to. They didn’t, but they could have.

    And then I went away to school in ’93, and couldn’t afford a car. I rented cars to get home, and sold seats for the Ottawa/Toronto/Ottawa run to defray my costs, but still, not my car.

    In ’97 though, my best friend came to me with a proposition. That I buy his aunt’s car from her, because it was sitting in a parking garage in a Toronto condo, costing money by having the parking spot, never driven due to a bad starter. He was working at Canadian Tire at the time, and could get me some help with the safety, etc, and, well… the car had history. Because it’d been his family’s car when we were in high school, and there had been many roadtrips in that car. To this day, anyone of four people could tell you the circumstances of the phrase “WHERE THE FUCK IS THE ROAD??”.

    The car?

    A bronze-and-chrome 1980 Pontiac Parisienne. A 305cu.in engine (5.0L, for you modern types) V8. A 3 speed automatic transmission, shift-on-column. A beige cloth interior. The biggest slab of dashboard you have ever seen in your life, and a tinny, two-speaker am/fm stereo. When I got it, it had somewhere around a hundred and seventy-two thousand kilometers on the clock: somewhere around a hundred and five thousand miles. So, well-worn, but a long way from dead.

    And I still remember the day I went to get it. It was one of those summers: I actually had won five grand on scratch’n’win Bingo earlier in the summer, and was pretty flush at the time. I was moving from the apartment I had in Ottawa into the first of the Bombshelter houses, which meant I would have a driveway and garage, and… Well, I love boats. And it was a boat.

    We arrived, and made our way to the back of the parking garage, at a condo/apartment building just off Yonge. The car looked even more like a tank sitting in the shadows between concrete columns. It sat tall: the ride height was more than that of some modern SUV’s. It was long. Nearly twenty feet, and maybe more. It had the aerodynamics of a brick. It was, in fact, beautiful.

    Beauty is in the eye of the beholder, understand that.

    We’d already picked up a new starter, even though the deal wasn’t officially done: Jay’s aunt wanted it gone, I wanted it, and the price was right (Seven hundred bucks). Jay assured me that while the starter was a chronic problem on GM products (he was right, as always), it was an easy, cheap fix, and otherwise, the car was mint.

    “Mint” being a relative term.

    We spent about an hour with Jay’s tools, truck, and stereo, and got the starter in. This was a job I would do myself about once a year over the five years I’d own the car: the starter was right next to the exhaust manifold, and the heat burnt the solenoid out constantly. However, much like the fuel pump, it was an easy two-or-three bolt fix: just awkward.

    We fired it up an hour later, after Jay did what Jay does.

    It burbled and belched. It made every sound a V8 is supposed to.

    I was in love.

    I drove it to Canadian tire in Mississauga, where Jay worked. It was certified properly as safe (and it was!) and Jay did a few other tune-up jobs on it too: plugs, wires, filters, etc. He called me on a Thursday night in June, and said “it’s done, I’ll come get you”. We drove out in Madam Butterfly (there’s a story there too, but it’s not mine to tell) and I picked up my car.

    My car.

    The steering was light. Over boosted in fact, welcome to the GM B-Body. She listed in corners like a fishing boat in a typhoon. And the sound when the transmission kicked down, and the four-barrel carb opened wide was, in a word, sublime. That single sound has defined me as a car guy.

    When I drove home that night, I held it at exactly eighty kilometers an hour. And I was still passing everyone and their dog. No idea why everyone was going so slow, but, hey, whatever, right? It was summer, I had what passed as a stereo turned up, the windows turned down, and I was motoring along in my own car. I was king of the world, and the road.

    So, when we got home, Jay following me, we stopped at Timmies first. Why? Well, while I wasn’t specifically forbidden from buying a car, I had been discouraged. And I was living at my folks place still. And I wasn’t actually in a hurry to go show it off to ‘em.

    Which meant that when Jay asked me why I was doing 100km/h+ the whole way home, I was perplexed. Turned out, the speedo, an old, linear type, wasn’t exactly well calibrated. It was, in fact, off by nearly twenty percent.

    When I got home, eventually, the folks were not exactly pleased. I think my brother was, although he wouldn’t have shown it much anyway. But it did mean the Tempo was, for all intents and purposes, his.

    Mom was not happy. Of course, it wasn’t really until I’d gotten rid of the car five years later that I found out. She thought it was unsafe. See, when she backed out of the driveway in her Camry, she turned the wheel about one and a half turns, and that put her where she wanted to be in the street. When I did it, in the Land Yacht, it was nearly three and a half turns of the steering wheel. Like I said. Booooosted. She just assumed the steering was broken!

    There are so many stories about that car. As I said, I drove it for the best part of five years, and, when I finally let it go (something I regret to this day, in fact: Jay: I should have taken your help in fixin’ it, there, are you HAPPY? I ADMITTED IT) it had somewhere around four hundred thousand kilometers on it. I say ‘around’ because with the speedo being off like that, the odometer was the same. And I rolled the clock twice (so, 200k km, and 300k km) and had nearly 80,000 showing when it left. A little math says I probably put almost 200,000km on that car in five years. Ottawa/Toronto/Ottawa. Niagara Falls. Jay’s cottage nearly every weekend for three summers. Any one of those trips is a thousand kilometers, give or take. A multitude of runs to Montreal. And the miles add up. Along the way, I added a decent (for the time) stereo.

    And, of course, the night I got drunk, and decided it was a good idea to paint the big ol’ brown bastard. Black. With household exterior latex. And a roller.

    It got the bombshelter crew to and from bars. Heavily overloaded, for sure (Five in the back, three or four, depending on how small the ladies were, on the front bench). It got me through weather you wouldn’t believe: One trip back from Toronto took nearly ten hours, and I thought the battery and alternator were giving out on me. Turns out, there was so much slush freezing to the front of the car (it was a slab-fronted brick, after all) that the headlights were icing over completely, and the front suspension had compacted with the weight of that snow and ice.

    It was supposed to be the car that got me to my citizenship test, but the fuel pump cut out on the highway. It still saddens me that I ended up going to my citizen ship test in a PoS ’94 Dodge Neon. Much like the girl in question, that car was far more unreliable, and had less character than the Land Yacht did.

    I learned how to use a six foot piece of pipe, slid over a ¾ ratchet, to loosen bolts out in the garage at -20oC, because of that car. For those who know the engine, I had to replace the damn waterpump.

    All the major lessons I learned about cars, I learned from a 1980 Pontiac Parisienne dubbed “the Land Yacht”. I tried repeatedly to recreate that experience too: I had two (1987 and 1988) Parisienne Safari wagons, and then a ’94 Grand Marquis. The ’87 was to be a parts vehicle for the ’88, and the ’88 only cost me twelve-hundred bucks when I bought it. Even the Marquis, I had big plans for. The wagons though, I’d have one of them again in a second. And I may yet see another Panther platform. They’re affordable, parts are cheap, and they’re pretty bullet proof. I could really use a good winter car, and there is not much better than forty-two hundred pounds of RWD Detroit iron.

    But I’ll always have a special place for the Pontiac Parisienne, in all its forms, over the years. If I had the opportunity to have one again, especially a wagon, from ’77 to ’88, I would, in a heartbeat. Dependant on somewhere to work on it, and somewhere to store it, I’d have one as a project for sure. Because all those ideas (and, whoo! So many ideas gleaned from HotRod magazines back in the day) are still there, still valid, and would still be insanely fun.

    There’s a lot more to this story, I’ll be honest. But it needs to be told at a different time, in a different way. But I loved that old Pontiac, have no doubt. My first true car love. She caused me misery and pain, and joy, and complete terror, and provided hilarity (if you want funny, cruise through an old Italian neighbourhood, in a clapped-out, hand-painted-black, monster Pontiac, with Grateful Dead stickers in the windows, and blasting Tom Jones’ “What’s New Pussycat?”). That’s where the story really is. Yeah. That’s where that story is.

    And they’re still out there. On Kijiji, and trader.ca

    Maybe, one day, I’ll have one again. Maybe.

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